The Analysis of the Japanese “Borrowed Landscape” Concept in Tadao Ando’s Architecture
Abstract
Borrowed landscape is the concept of integrating background landscape into the composition of a garden, which can be found in traditional Far Eastern Garden design and Tadao Ando's architecture is a fusion of traditional Japanese architecture and western geometric architecture. The Japanese borrowed landscape methodologies, introduced in the architecture of Tadao Ando, had achieved a creative reinterpretation and restoration of the traditional ego of their residential environment from the uniformity and deprivation of humanity due to the rapid modernization of Japan. The procedure of the traditional borrowed landscape in Japan condenses and symbolizes distant landscapes and introduces them into the house, whereas Tadao Ando dramatically reproduces the distant landscape of the natural state by overlapping the earth with an abstract geometrical architecture. Tadao Ando’s design for the circulation, created by the conflict between the wall and the volume, made it possible to break and regenerate the original landscape, like the principle of the tradition-style space composition of traditional architecture, to sustain perceptual and experiential experiences.
References
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Guneroglu, N., & Bekar, M. (2019). A Methodology of Transformation from Concept to form in Landscape Design. Journal of History Culture and Art Research, 8(1), 243-253.
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Haristianti, V., & Murdowo, D. (2019). Contemporary Brutalism: A Study of the Concept of Materiality. In 6th Bandung Creative Movement 2019 (pp. 289-294). Telkom University.
Haupt, P. (2014). Architecture vs. Nature–a reinvented relationship. WIT Transactions on Ecology on the Built Environment, 142, 37-45.
Hongjun, Z. (2016). A Digitalized Study on Design Methods of Borrowed Scenery Based on the Comparison between Chinese and Japanese Classical Gardens. South Architecture, 04.
Hsu, H. L., Chang, Y. L., & Lin, H. (2015). Emotional architecture-A Study of Tadao Ando’s genius loci design philosophy and design syntax. International Journal of Chemical, Environmental & Biological Sciences (IJCEBS), 3(6), 456-463.
Jodidio, P. (2006). Tadao Ando at Naoshima: art, architecture, nature. Rizzoli International Publications. 57-72.
Jodidio, P. (2007). Ando complete works. Taschen. 24-31.
Keane, M. P. (2012). Japanese garden design. Tuttle Publishing. 34-42.
Kim, D. Y. (2006). Japanese Traditional Elements in Tadao Ando's Architecture. Journal of the Korean housing association, 17(6), 91-98.
Kim, M. J., & Kim, Y. S. (2018). A Study on the Composition of Ando Tadao's Exhibition Space. Korean Institute of Interior Design Journal, 27(2), 143-153.
Kim, S. H., & Kim, C. S. (2017). An Analysis on the Organization of Space and Light Showed in Ando Tadao'Museum. KIEAE Journal, 17(5), 61-68.
Kuitert, W. (2015). Borrowing scenery and the landscape that lends—the final chapter of Yuanye. Journal of Landscape Architecture, 10(2), 32-43.
Lee, Y. M., & Cheon, D. Y. (2007). The Nature-Introducing Techniques in Landscape and Traditional Architecture through Borrowed Landscape. Korean Institute of Interior Design Journal, 16(2), 3-12.
Lim, V. N. J. P. (2018). Tracing liminality: A multidisciplinary spatial construct. Journal of Engineering, 6(1), 76-90.
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Liu, L. & Zhang, J. H. (2007). Thinking on the Design Style of Japanese Modern Landscape Architecture [J]. Chinese Landscape Architecture, 4.
Liu, W. (2017). Cultural Connotation and Contemporary Value of Japanese Garden. Agricultural Science & Technology, 18(10), 1929-1934.
Louekari, L. (2013). Architecture of the forest. Observations on the relationship between spatial structures in architecture and natural spaces. NA, 20(3).
Lulu, X., & Jihui, S. (2006). Tadao Ando and His Poetic Architecture [J]. Anhui Architecture, 3.
Makhzoumi, J. (2015). Borrowed or Rooted?. RaumFragen: Stadt–Region–Landschaft, 111.
Makowska, B. (2014). Integrating architecture and the created landscape in Japanese gardens. International Journal of Arts & Sciences, 7(5), 597.
Naidoo, C. P. (2018). Shape shifting in contemporary Japanese residential architecture in Japan: Tadao Ando, Kengo Kuma, SANAA.
Nicholson, L. (2014, July). Grand designs. In Apollo (Vol. 180, No. 622, pp. 50-56). Apollo Magazine Ltd..
Oh, Y. K. (2013). A Study on the Emotional Characteristic of Traditional Space through Borrowed Landscape. Korean Institute of Interior Design Journal, 22(4), 78-85.
Qin, W. A. N. G., & Xiaogang, C. H. E. N. (2015). Approaches of Integrating Outdoor and Indoor Spaces of Urban Landscape Buildings. Journal of Landscape Research, 7(4).
Rawes, P. (Ed.). (2013). Relational architectural ecologies: architecture, nature and subjectivity. Routledge. 81-86.
Ryan, Z. (2010). Building with Water: Concepts Typology Design. De Gruyter. 23-37.
Sadiki, A. (2020). Potential of Basic Geometric Shapes in Architecture Case study: Tadao Ando.
Schwartz, C. (2016). Introducing architectural tectonics: Exploring the Intersection of Design and Construction. Taylor & Francis. 102-109.
Scott, E. (2017). A cultural convergence. Green: sustainable architecture and landscape design, (56), 88-93.
Self, R. (2014). The architecture of art museums: a decade of design: 2000-2010. Routledge. 112-123.
Seligmann, A. (2018). Tadao Ando Exhibition Endeavours and Challenges. Fabrications, 28(2), 275-278.
Sher, F., Kawai, A., Güleç, F., & Sadiq, H. (2019). Sustainable energy saving alternatives in small buildings. Sustainable Energy Technologies and Assessments, 32, 92-99.
Shirazi, M. R. (2012). An Investigation on Tadao Ando’s Phenomenological Reflections.
Shoja, P. (2015). Intuition in Phenomenology of Architecture. Current World Environment, 10(Special Issue), 404.
Shukla, R. (2000). Tadao Ando A Critical Regionalist. Architecture Plus Design, 17(6), 40.
Soni, A. K., & YR, B. A. I. (2010). Understanding The Poetic of Architecture. Guru Gobind Singh Indraprastha University, University School of Architecture and Planning, Kashmere Gate, New Delhi.
Stevanović, V. (2013). Two modes of relating to nature in contemporary Japanese architecture. Arhitektura i urbanizam, (37), 28-34.
Tahmasbifard, M., & Safdarian, G. (2017). The Treatment of Japanese Garden based on Zen Philosophy in Mental Health. International Journal of Architecture and Urban Development, 7(2), 41-46.
Veal, A. (2002). Time in Japanese architecture: tradition and Tadao Ando. Arq: Architectural Research Quarterly, 6(4), 349.
Wang, X., Ma, Q., Wang, H., & Cheng, B. (2011). Ancient Thoughts and the Modern Architectural Landscape Design——Take the Ancient Arts of Tai Chi as an Example [J]. Journal of Shenyang Jianzhu University (Social Science), 3.
Wenjun, M. W. C. (2002). Reflection on an Interview with Tadao Ando [J]. Time+ Architecture, 3.
Yingping, M. (2010). The Architecture into Nature: Reading the Nature of Architecture about Ando Tadao. Huazhong Architecture, 06.
Zhang, Z., & Li, Q. (2019, August). Five Philosophical Faces of the Modern Avant-garde Arts. In 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) (pp. 392-396). Atlantis Press.
Zhong, C., Jianfeng, M., & Xuan, H. (2014). Inheritance of Traditional Culture in Modern Architecture: Product Analysis of the Tadao Ando and Wangshu. Huazhong Architecture, 06.
Akama, Y. (2017). Kokoro of design: Embracing heterogeneity in design research. Design and Culture, 9(1), 79-85.
Ando, T. (2001). Light. Material. Space. In World Architecture (Vol. 128, pp. 31-36). World Architecture Press.
Baek, J. (2004). The sublime and the Azuma House by Tadao Ando. Arq: Architectural Research Quarterly, 8(2), 149.
Baek, J. (2009). Nothingness: Tadao Ando's Christian Sacred Space. Routledge. 32-43.
Baek, J. (2017). Church of The Light: Tadao Ando. Companion to the History of Architecture, 1-10.
Bhandari, D., & Kang, Y. S. (2017). An Aspect of the Nepalese Indigeneity Receptions on the Works of the Foreign Architects in Nepal after 1950'-In Cases of the Architect Carl Pruscha, Louis I. Kahn, Ando Tadao and Kim In-cheurl. Journal of the Architectural Institute of Korea Planning & Design, 33(8), 57-66.
Bonner, M. (2014). Ambiguous Play Pattern: A Philosophical Approach to the Prospect-Refuge Theory in Urban Open World Games by Merging Deleuze/Guattari and de Certeau. space, 106, 108.
Botz-Bornstein, T. (2013). Play, Dream, and the Search for the" Real" Form of Dwelling-from Aalto to Ando. NA, 16(2).
Buntrock, D. (2011). Urban Alchemy: Gordon Matta-Clark. Journal of the Society of Architectural Historians, 70(1), 104-110.
Calvagna, S. (2020). Landscape Sustainability of Architecture in Fernando Menis’s Work: A Sensitive Design Rooted in Volcanic Nature. Sustainability, 12(20), 8711.
Cho, J. S. (2017). A Study on the Experiential Space Concept and the Expression Method in Contemporary Architectural Space-Ando Tadao and Peter Zumthor. Journal of the Architectural Institute of Korea Planning & Design, 33(4), 21-30.
Clark, R. H., & Pause, M. (2012). Precedents in architecture: analytic diagrams, formative ideas, and partis. John Wiley & Sons. 48-57.
Compton, J. (2004). Borrowed Landscape. Quadrant, 48(9), 51.
David, B., & Thomas, J. (2016). Landscape archaeology: introduction. In Handbook of landscape archaeology (pp. 27-43). Routledge.
Du, T., & Sun, D. (2012). Analysis of spatial characteristics and spirit of place: interpretation of Eighteen-Step Ladder heritage in Chongqing Municipality of China. Journal of Landscape Research, 4(11), 45.
Dumitraş, A. (2011). The japanese gardens in the landscape design. Revista Botanică, 3(1), 161-166.
Erzen, J. N. (2004). Tadao Ando’s Architecture in the light of Japanese Aesthetics. Metu JFA, (1/2), 67-80.
Fang, J., & Fei, L. (2016). Container Of Nature And Life——Analyze The Liangzhu Village Cultural Art Center In Hangzhou. Architecture & Culture, 07.
Farhady, M., & Nam, J. (2011). Thresholds in the Pluralistic Architecture of Tadao Ando. Journal of Asian Architecture and Building Engineering, 10(1), 31-36.
Feng, W. A. N. G., Han, Q., & Xiang, J. (2017). Material Expression of Architectural Emotion From the Perspective of Public Art. Journal of Landscape Research, 9(4), 88.
Gill, S. S. (2010). A study of the characteristics of natural light in selected buildings designed by Le Corbusier, Louis I. Kahn and Tadao Ando (Doctoral dissertation, Texas A & M University).
Goto, S., Gianfagia, T. J., Munafo, J. P., Fujii, E., Shen, X., Sun, M., ... & Herrup, K. (2017). The power of traditional design techniques: The effects of viewing a Japanese garden on individuals with cognitive impairment. HERD: Health Environments Research & Design Journal, 10(4), 74-86.
Guneroglu, N., & Bekar, M. (2019). A Methodology of Transformation from Concept to form in Landscape Design. Journal of History Culture and Art Research, 8(1), 243-253.
Haiyuan, Q. I. N., Huayan, Z. H. A. O., Xinyu, C. A. O., Long, C. H. E. N., & Yuanchun, X. I. A. (2016, December). Analysis of Tadao Ando Building Humanism. In 2016 International Conference on Architectural Engineering and Civil Engineering (pp. 18-21). Atlantis Press.
Haristianti, V., & Murdowo, D. (2019). Contemporary Brutalism: A Study of the Concept of Materiality. In 6th Bandung Creative Movement 2019 (pp. 289-294). Telkom University.
Haupt, P. (2014). Architecture vs. Nature–a reinvented relationship. WIT Transactions on Ecology on the Built Environment, 142, 37-45.
Hongjun, Z. (2016). A Digitalized Study on Design Methods of Borrowed Scenery Based on the Comparison between Chinese and Japanese Classical Gardens. South Architecture, 04.
Hsu, H. L., Chang, Y. L., & Lin, H. (2015). Emotional architecture-A Study of Tadao Ando’s genius loci design philosophy and design syntax. International Journal of Chemical, Environmental & Biological Sciences (IJCEBS), 3(6), 456-463.
Jodidio, P. (2006). Tadao Ando at Naoshima: art, architecture, nature. Rizzoli International Publications. 57-72.
Jodidio, P. (2007). Ando complete works. Taschen. 24-31.
Keane, M. P. (2012). Japanese garden design. Tuttle Publishing. 34-42.
Kim, D. Y. (2006). Japanese Traditional Elements in Tadao Ando's Architecture. Journal of the Korean housing association, 17(6), 91-98.
Kim, M. J., & Kim, Y. S. (2018). A Study on the Composition of Ando Tadao's Exhibition Space. Korean Institute of Interior Design Journal, 27(2), 143-153.
Kim, S. H., & Kim, C. S. (2017). An Analysis on the Organization of Space and Light Showed in Ando Tadao'Museum. KIEAE Journal, 17(5), 61-68.
Kuitert, W. (2015). Borrowing scenery and the landscape that lends—the final chapter of Yuanye. Journal of Landscape Architecture, 10(2), 32-43.
Lee, Y. M., & Cheon, D. Y. (2007). The Nature-Introducing Techniques in Landscape and Traditional Architecture through Borrowed Landscape. Korean Institute of Interior Design Journal, 16(2), 3-12.
Lim, V. N. J. P. (2018). Tracing liminality: A multidisciplinary spatial construct. Journal of Engineering, 6(1), 76-90.
Lin, N. I. N. G., Bian, Y. U., & Rui, G. A. N. (2015). Complication and Simplicity in Japanese Landscape Design-Seeking for Simplicity with Complication and Returning to Original Nature. Technology of Highway and Transport, 03.
Ling, X. (2021). NArchitecTURE: A Paradigm of Design with Nature. In E3S Web of Conferences (Vol. 233, p. 03063). EDP Sciences.
Liu, L. & Zhang, J. H. (2007). Thinking on the Design Style of Japanese Modern Landscape Architecture [J]. Chinese Landscape Architecture, 4.
Liu, W. (2017). Cultural Connotation and Contemporary Value of Japanese Garden. Agricultural Science & Technology, 18(10), 1929-1934.
Louekari, L. (2013). Architecture of the forest. Observations on the relationship between spatial structures in architecture and natural spaces. NA, 20(3).
Lulu, X., & Jihui, S. (2006). Tadao Ando and His Poetic Architecture [J]. Anhui Architecture, 3.
Makhzoumi, J. (2015). Borrowed or Rooted?. RaumFragen: Stadt–Region–Landschaft, 111.
Makowska, B. (2014). Integrating architecture and the created landscape in Japanese gardens. International Journal of Arts & Sciences, 7(5), 597.
Naidoo, C. P. (2018). Shape shifting in contemporary Japanese residential architecture in Japan: Tadao Ando, Kengo Kuma, SANAA.
Nicholson, L. (2014, July). Grand designs. In Apollo (Vol. 180, No. 622, pp. 50-56). Apollo Magazine Ltd..
Oh, Y. K. (2013). A Study on the Emotional Characteristic of Traditional Space through Borrowed Landscape. Korean Institute of Interior Design Journal, 22(4), 78-85.
Qin, W. A. N. G., & Xiaogang, C. H. E. N. (2015). Approaches of Integrating Outdoor and Indoor Spaces of Urban Landscape Buildings. Journal of Landscape Research, 7(4).
Rawes, P. (Ed.). (2013). Relational architectural ecologies: architecture, nature and subjectivity. Routledge. 81-86.
Ryan, Z. (2010). Building with Water: Concepts Typology Design. De Gruyter. 23-37.
Sadiki, A. (2020). Potential of Basic Geometric Shapes in Architecture Case study: Tadao Ando.
Schwartz, C. (2016). Introducing architectural tectonics: Exploring the Intersection of Design and Construction. Taylor & Francis. 102-109.
Scott, E. (2017). A cultural convergence. Green: sustainable architecture and landscape design, (56), 88-93.
Self, R. (2014). The architecture of art museums: a decade of design: 2000-2010. Routledge. 112-123.
Seligmann, A. (2018). Tadao Ando Exhibition Endeavours and Challenges. Fabrications, 28(2), 275-278.
Sher, F., Kawai, A., Güleç, F., & Sadiq, H. (2019). Sustainable energy saving alternatives in small buildings. Sustainable Energy Technologies and Assessments, 32, 92-99.
Shirazi, M. R. (2012). An Investigation on Tadao Ando’s Phenomenological Reflections.
Shoja, P. (2015). Intuition in Phenomenology of Architecture. Current World Environment, 10(Special Issue), 404.
Shukla, R. (2000). Tadao Ando A Critical Regionalist. Architecture Plus Design, 17(6), 40.
Soni, A. K., & YR, B. A. I. (2010). Understanding The Poetic of Architecture. Guru Gobind Singh Indraprastha University, University School of Architecture and Planning, Kashmere Gate, New Delhi.
Stevanović, V. (2013). Two modes of relating to nature in contemporary Japanese architecture. Arhitektura i urbanizam, (37), 28-34.
Tahmasbifard, M., & Safdarian, G. (2017). The Treatment of Japanese Garden based on Zen Philosophy in Mental Health. International Journal of Architecture and Urban Development, 7(2), 41-46.
Veal, A. (2002). Time in Japanese architecture: tradition and Tadao Ando. Arq: Architectural Research Quarterly, 6(4), 349.
Wang, X., Ma, Q., Wang, H., & Cheng, B. (2011). Ancient Thoughts and the Modern Architectural Landscape Design——Take the Ancient Arts of Tai Chi as an Example [J]. Journal of Shenyang Jianzhu University (Social Science), 3.
Wenjun, M. W. C. (2002). Reflection on an Interview with Tadao Ando [J]. Time+ Architecture, 3.
Yingping, M. (2010). The Architecture into Nature: Reading the Nature of Architecture about Ando Tadao. Huazhong Architecture, 06.
Zhang, Z., & Li, Q. (2019, August). Five Philosophical Faces of the Modern Avant-garde Arts. In 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019) (pp. 392-396). Atlantis Press.
Zhong, C., Jianfeng, M., & Xuan, H. (2014). Inheritance of Traditional Culture in Modern Architecture: Product Analysis of the Tadao Ando and Wangshu. Huazhong Architecture, 06.
Published
2021-10-01
How to Cite
JUNG, Chuloh; AL QASSIMI, Nahla; AWAD, Jihad.
The Analysis of the Japanese “Borrowed Landscape” Concept in Tadao Ando’s Architecture.
International Journal of Advanced Research in Engineering Innovation, [S.l.], v. 3, n. 3, p. 48-62, oct. 2021.
Available at: <https://myjms.mohe.gov.my/index.php/ijarei/article/view/15673>. Date accessed: 14 sep. 2024.
Section
Articles
