VISUAL COMMUNICATION IN QUEEN OF LANGKASUKA (FILM)
Abstract
In the movie Queen of Langkasuka, there is a correlation between visual communication and the characters portrayed. The strength of the images is transformed into verbal aspects that make the visualization as storyteller. The weight of any film is dependent on the broad aspects of its cinematography. In this film, visual communication is elaborated by focusing on the visual aspects and the close relationship between the characters and the space composition in conveying certain messages. In the field of cinematography, the beauty of a film is relying on how its filmmaking process shapes the characters through the visual space composition without the need to describe other characters. A film shoot requires sensitivity in the internal narrative content so that only symbolic visuals and images would communicate with the audience.
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Laurie E. Rozakis (1985). How to Interpret Poetry. USA:Macmillan
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McLoughlin, C. (1997). Visual Thinking and Telepedagogy. In Proceedings of the 1997 annual conference of the Australian Society for Computers in Learning in Tertiary Education, ASCILITE ’97, Curtin University of Technology, Perth Western Australia.
Mulyana, Deddy (2004). Metode Penelitian Kualitatif. Bandung: PT. Remaja Rosda Karya. Pradopo, Rachmat Djoko (2007). Pengkajian Puisi. Yogyakarta: Gadjah Mada University Press.
Ravid, S.A. (2005). Film production in the digital age-What do we know about the past and the future? See in Charles (2008), C.M. A concise handbook of movie industry. Cambridge University Press.
Ronald Abramson (1976). Structure and Meaning in the Cinema. See in Bill Nichols, Movies and Method, Volume I. Berkeley: University of California Press.
Queens of Langkasuka (2008). Dir. Nonzee Nimibutr.
Wan Mohd Dasuki (2014). Naskhah Ilmu Bedil Dan Renungan Pada Epistemelogi Melayu Berhubung Penggunaan Senjata Api. This Paper presented in the International Conference on Malay Manuscript 2014 at Seri Pacific Hotel, Kuala Lumpur on 6 - 7 May 2014, organized by the Malaysia National Library .
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Wertheimer, M. (1923). Investigation in Gestalt Theory: II. Laws of organization in perceptual forms. Psychologische Forschung, 4, 301–350.
Anuar Nor Arai (1996). Teori dan Kritikan Filem: Internal Composition of the Close-Up, Movements of Camera, Duration, Objective-Subjective, Close-up. Kuala Lumpur: Universiti Malaya
Anuar Nor Arai (1996).Artikel dari bengkel ,”Estetik dan Pembikinan Filem” anjuran FDAM dan FINAS, Kuala Lumpur. 16 Ogos.
Briggs, Asa, 2006. Sejarah sosial media. Jakarta: Yayasan Obor Indonesia.
Carney, R. N.& Levin, J. R. (2002). Pictorial illustrations still improve students’ learning from text. Educational Psychology Review, 14(1), 5-26
Chandler, Daniel (1994:125/2). Dominic Strinati. Semiotic for Beginners: Critism of Semiotic Analysis.http://www.aber.ac.uk/~dgc/Semiot.html.
Chang, H. Y.& Quintana, C. (2006). Student-generated animations: supporting middle school students’ visualization, interpretation and reasoning of chemical phenomena. Paper presented at the International Conference on Learning Sciences: Proceedings of the 7th International Conference on Learning Sciences, Bloomington, Indiana.
Dan Shaw (2003). Journal Film and Philosophy. USA: Scarecrow Press.
David Sless (1981). Learning and visual communication. p.187
Drs. Sumanto (1995). Metodologi Penelitian Sosial Dan Pendidikan. Yogyakarta : Andi Offset.M.A.
Elley, Derek (2008-06-30). "Queens of Langkasuka". Variety (magazine). Retrieved 2008-08-08.
Garth S. Jowett & James M. Linton (1989). Movie as Mass Communication (2nd edition). USA: The Sage Commtext Series, Sage Publications.
Herdiansyah Haris (2010: 9). Metodologi Penelitian Kualitatif untuk Ilmu-Ilmu Sosial. Jakarta: Salemba Humanika.
Hizairi Othman (1997). Filem Berbudaya, Jalan Masih Jauh. Kuala Lumpur: Dewan Bahasa & Pustaka
Jacues Lacan (1977:65). Écrits: A Selection, transl. by Alan Sheridan, New York: W.W. Norton & Co., 1977, ISBN 0393300471.
Janey Place & Lowell Peterson (1996). Some Visual Motifs of Film Noir in Alain Silver & James Ursini. Film Noir Reader. New York: First Limelight Edition, pp. 65-76.
Jones, J. Poland (1962). Polanksi in Film Journal,” Knife in the water”. http://www.weber.u.washington.edu/~jpjones/knifes.html.
John Simon (1971). Ingmar Bergman: Interview. (2007). Edited by Raphael Shagel . University Press of Mississippi / Jackson.
John Crawfurd (1856). A Descriptive Dictionary of the Indian Islands and Adjacent Countries. Bradbury & Evan,11, Bouverie Street, London. https://archive.org/stream/adescriptivedic00crawgoog#page/n8/mode/2up
Kenneth Louis Smith (2005). Handbook of visual communication: theory, methods, and media. p.123. ISBN 978-0-8058-4178-7
Lapsley, Robert & Westlake, Micheal (1988:36). Film Theory: An Introduction. England: Manchester University Press.
Laurie E. Rozakis (1985). How to Interpret Poetry. USA:Macmillan
Les Robert (2012). Film, Mobility and Urban Space: A Cinematic Geography of Liverpool. Liverpool University Press.
McLoughlin, C. (1997). Visual Thinking and Telepedagogy. In Proceedings of the 1997 annual conference of the Australian Society for Computers in Learning in Tertiary Education, ASCILITE ’97, Curtin University of Technology, Perth Western Australia.
Mulyana, Deddy (2004). Metode Penelitian Kualitatif. Bandung: PT. Remaja Rosda Karya. Pradopo, Rachmat Djoko (2007). Pengkajian Puisi. Yogyakarta: Gadjah Mada University Press.
Ravid, S.A. (2005). Film production in the digital age-What do we know about the past and the future? See in Charles (2008), C.M. A concise handbook of movie industry. Cambridge University Press.
Ronald Abramson (1976). Structure and Meaning in the Cinema. See in Bill Nichols, Movies and Method, Volume I. Berkeley: University of California Press.
Queens of Langkasuka (2008). Dir. Nonzee Nimibutr.
Wan Mohd Dasuki (2014). Naskhah Ilmu Bedil Dan Renungan Pada Epistemelogi Melayu Berhubung Penggunaan Senjata Api. This Paper presented in the International Conference on Malay Manuscript 2014 at Seri Pacific Hotel, Kuala Lumpur on 6 - 7 May 2014, organized by the Malaysia National Library .
William Prinzmetal, Aleksey Zvinyatskovskiy, Paula Gutierrez and Leo Dilem (2009). Voluntary and involuntary attentions have different consequences: The effect of perceptual difficulty. THE QUARTERLY JOURNAL OF EXPERIMENTAL PSYCHOLOGY 62 (2), 352–369. Pschology Press. Taylor & Franchis Group. University of California, Berkeley, CA, USA
Wertheimer, M. (1923). Investigation in Gestalt Theory: II. Laws of organization in perceptual forms. Psychologische Forschung, 4, 301–350.
Published
2018-07-01
How to Cite
HASHIM, Mohd Haizra et al.
VISUAL COMMUNICATION IN QUEEN OF LANGKASUKA (FILM).
E-JOURNAL OF MEDIA AND SOCIETY (E-JOMS), [S.l.], v. 1, n. 1, p. 109-132, july 2018.
ISSN 2682-9193.
Available at: <https://myjms.mohe.gov.my/index.php/ejoms/article/view/15467>. Date accessed: 14 sep. 2024.
Section
Articles
