The Developing Process of Ideological Trend of the Nationalization in Chinese Oil Painting

  • Li Hongxian
  • Azian Tahir
  • Syed Alwi Syed Abu Bakar

Abstract

Existing research on the developing process of the nationalization of Chinese oil painting is mainly conducted from two directions: The first one is to start from the direction of creative practice, that is, to study the developing process of the ideological trend of nationalization in Chinese oil painting according to chronological order and through the specific artistic practices of Chinese artists in the process of nationalization of oil painting. The academic achievements are relatively rich; The second one is to proceed from a theoretical direction and conduct research through the theories formed by academic discussions on the nationalization of oil painting in various periods. However, the time of theoretical research only stayed in the 1980s, with relatively few research achievements, and the latest developments were not updated promptly. Therefore, the researcher continues to proceed from a theoretical perspective and by analyzing the content of textual documents. The results revealed the development of theoretical level and theoretical viewpoints of nationalization of oil painting. The researcher focuses on academic conferences in various periods of nationalization of oil painting, studies the developing process of nationalization of oil painting, and obtains the long-term development regularities of the nationalization of Chinese oil painting. The researcher strives to provide new research achievements for the developing history of the nationalization of oil painting through this study.

References

Ai, Y. H. (2023). 油画“民族化”的发展探索 [Exploration on the development of “nationalization” of oil painting]. Comedy World, 05, 71–73. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLASN2023&filename=XJXY202305023&uniplatform=OVERSEA&v=6QfRs7pG1Eo6h3wQ7MztaIy8nl7CoqW4s_Pqvnn8Z102xXBFbv5Che6EC2oDipe4
Gao, J. C. (2020). “Disenchantment” and “Poetry”——the Aesthetic Orientation of Luo Gongliu’s Oil Painting Nationalization [Master’s thesis, Shandong Jianzhu University]. https://doi.org/https://doi.org/10.27273/d.cnki.gsajc.2020.000011
Institute of Fine Arts, C. A. of A. (1987). 油画艺术的春天 [The Spring of Oil Painting Art] (1st ed.). Culture and Arts Press.
Jia, J. Y. (2016). On the National Characteristics of Contemporary Oil Painting Expression [Master’s thesis, China University of Mining and Technology]. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CMFD&dbname=CMFD201701&filename=1016910692.nh&uniplatform=OVERSEA&v=W9qOpPn1DCdX77qfkxouv5EAR7E_ZFxisTa-mFoHf9kW9bp53btm02EAUPhzSzxY
Li, C. J. (2012). 民族化再探索:1949至1966年中国油画的重要实践 [Re-exploration of nationalization: Important practice of Chinese oil painting from 1949 to 1966]. Tsinghua University Press.
Li, C. J. (2017). 中国油画本土化百年 (1900-2000) [A Century of Localization of Chinese Oil Painting (1900-2000)] (1st ed.). People’s Press.
Liu, C. (2016). 中国油画史 [The history of Chinese oil painting]. China Youth Press.
Song, J. M., & Wang, H. (2014). “董希文与油画中国风”专题研讨会综述 [Summary of the Symposium “Dong Xiwen and the Chinese Style of Oil Painting”]. CAFA Art Museum. https://www.cafamuseum.org/en/exhibit/newsdetail/840
Tian, S. F., & Zhou, H. (2022). 油画民族化的发展历程研究 [The research of the development progress of the nationalization of oil painting]. Journal of Zaozhuang University, 03. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLAST2022&filename=ZZSZ202203020&uniplatform=OVERSEA&v=Vll0mmUjmN6R8rxRFjRSJtwoo1d9JX5FNFR4d-MEPH3rJgKYuWtvOzOZPjMCa7mC
Xiao, S. (2010). 传承西北——吾土吾民油画邀请展”暨“溯古融西——构建油画中国语 境理论对话研讨会”综述 [A review of “Inheriting the Northwest - Our Land and Our People Oil Painting Invitational Exhibition” and “Tracing Ancient Times and Integrating the West - Constructing a Theoretical Dialogue Seminar on the Chinese Context of Oil Painting”]. Art Observation, 38–39. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFD2010&filename=MSGC201012023&uniplatform=OVERSEA&v=bQDKAFHxHBDCQ0aDr7-NWZCC2KWIq7bjAonbFNIOh7ZBm57PJpXF1d7oV34sE4Qi
Zhang, J. J. (2016). On the Evolution of Nationalization of Chinese Oil Painting [Master’s thesis, Shaanxi Normal University]. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CMFD&dbname=CMFD201701&filename=1017035854.nh&uniplatform=OVERSEA&v=kMftb7AaZlkIk5gr812Fh8Y7sZ05xrL9hTdCnmGcui5_WvDcH007mN68Flmc0jjK
Zhao, L., & Yu, D. (2015). 中国油画五百年III [ Five Hundred Years of Chinese Oil Painting] (Vol. 3) (1st ed.). Hunan Fine Arts Press.
“人文江南--油画中国之路”高端国际学术研讨会摘要 [Abstract of the high-end international academic symposium “Humanistic Jiangnan-- Oil Painting’s Road to China”]. (2011, November 19). Fine Arts Newspaper, 4. https://www.cnki.net/KCMS/detail/detail.aspx?dbcode=CCND&dbname=CCNDLAST2011&filename=MESH201111190120&uniplatform=OVERSEA&v=pWrZnZcVssSyUO0cY7SrLae7TC6aiHUhAV9FNjm2K6xoPsoS_spkKDeEG6XL2o0IFc6Xx8ijkTE%3d
Published
2024-06-01
How to Cite
HONGXIAN, Li; TAHIR, Azian; SYED ABU BAKAR, Syed Alwi. The Developing Process of Ideological Trend of the Nationalization in Chinese Oil Painting. Asian Journal of Research in Education and Social Sciences, [S.l.], v. 6, n. 2, p. 465-474, june 2024. Available at: <https://myjms.mohe.gov.my/index.php/ajress/article/view/26877>. Date accessed: 26 july 2024.
Section
English Section