Analysis of Technical Difficulties in the Performance of Liszt’ Etude La Campanella
Abstract
Liszt’s Paganini Etude La Campanella belongs to a high difficulty etude, which is a piano piece adapted by Liszt based on the theme of III. Rondo "La Campanella" of Italian violinist Paganini’s Violin Concerto No. 2 in B Minor. The author analyzes the creative background, structure, and technical exercises targeted by various variations of Liszt’s Paganini Etude La Campanella, and compares it with different adapted versions, so that performers can master each variation of the main theme of La Campanella and overcome technical difficulties in difficult parts one by one based on a thorough understanding of the work and have a preliminary understanding of the characteristics of Liszt’s arrangement. By comparing different adapted versions of La Campanella, the performer can gain new inspiration from it.
References
Ferguson, H. (1980). The New Grove Dictionary of Music and Musicians. London: Mcmillan Pobilishers Limited.
The New Oxford English-Chinese Dictionary online.
Zhang, X. J. (2019). Analysis on The Playing Technique of Liszt's Piano Etude “La Campanella”.
Bai, X. (2007). Analysis and Research on Liszt Paganini Etude. Ri Ri Xin. Issue 2.
Gatt, J. (1983). Piano Performance Techniques. People's Music Publishing House. 115.
Hou, K. W. (2002). Research on tremolo technique in piano vocabulary style by Liszt. Music Research. Issue 2, 87.
Yakov, M. (2002). Liszt Volume 2. People's Music Publishing House. 501.
Hou, C. (2022). Exploring The Application of Pedals in Piano Works of Romantic period - Taking Liszt’s Bell as an example.
Jiang, B. Y.(2003) Ferruccio Busoni - The Most Important and Influential Pianist After Liszt. Famous Works Played by Famous Performers. 30.