The Future of China's Cultural and Creative Parks: Generating Highly Skilled Talent for the Oil Painting Industry
Abstract
Since the 21st century, the Chinese oil painting industry has been an engine of growth in the global art industry. Its development is both an economic and social phenomenon in market transformation. This research aims to promote the sustainable development of Cultural and Creative Parks by generating a highly skilled workforce in the Chinese Oil Painting Industries. This research uses a literature review to explain the complex relationship between the Chinese Oil Painting Industries and Cultural and Creative Parks. The results of the research would include the role of the Chinese Oil Painting Industries in the evolution of Cultural and Creative Parks and the role of generating a highly skilled workforce for the Chinese Oil Painting Industries in promoting the sustainable development of Cultural and Creative Parks. The results are expected to lead towards recommending a format for generating a highly skilled workforce for Cultural and Creative Parks with the Chinese Oil Painting Industries at its core. Furthermore, this research will suggest a theory for generating a highly skilled workforce in the Chinese Oil Painting Industry that promotes sustainable development of Cultural and Creative Parks. This article attempts to review and evaluate the achievements of China's cultural and creative industries in the past 20 years from three perspectives: the current situation of the Chinese oil painting industry, the approach to cultivating a highly skilled workforce, and the development path of Cultural and Creative Parks. It is expected to provide a reference for later scholars to conduct related research.
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Ibrahim, R. (2020). Thinking Tools: Navigating a Three-Year Phd Journey. Partridge Publishing Singapore.
Masiran, R., Ibrahim, N., Awang, H., & Lim, P. Y. (2020). Improving multicultural parenting program for children with emotional and behavioral problems: an integrated review. Asian journal of psychiatry, 51, 101851.
Rousseau, D. M., Manning, J., & Denyer, D. (2008). 11 Evidence in management and organizational science: assembling the field’s full weight of scientific knowledge through syntheses. Academy of Management Annals, 2(1), 475-515.
Templier, M., & Paré, G. (2015). A framework for guiding and evaluating literature reviews. Communications of the Association for Information Systems, 37(1), 6.
Xiao, Y., & Watson, M. (2019). Guidance on conducting a systematic literature review. Journal of planning education and research, 39(1), 93-112.
Pak, A., Adegboye, O. A., Adekunle, A. I., Rahman, K. M., McBryde, E. S., & Eisen, D. P. (2020). Economic consequences of the COVID-19 outbreak: The need for epidemic preparedness. Frontiers in public health, 8, 241.
Wang, M. (2021). The Realization Way of the Fusion Development of Folk Art and Tourism. Frontiers in Art Research, 3(3).
Golovei, V., Stoliarchuk, N., & Prigoda, T. (2020). Culture, arts and media during and post the Covid-19 pandemic. European Journal of Transformation Studies, 8, 55-81.
Huang Yan. (2017). The application of "urban catalyst" theory in the renewal of old urban areas. Journal of Economic Research (25), 107-108.
Hearn, G., & Pace, C. (2006). Value‐creating ecologies: understanding next generation business systems. Foresight.
Yin, Y., Liu, Z., Dunford, M., & Liu, W. (2015). The 798 Art District: Multi-scalar drivers of land use succession and industrial restructuring in Beijing. Habitat international, 46, 147-155.
Lu Z.J. (2017). Exploration of the Cultural and Art Industrial Zone Planning Based on the Driving Pattern—A Case Study of Qingdao Dani Art Zone Planning and Adjustment. China Garden (11), 70-75.
Chapain, C., & Sagot-Duvauroux, D. (2020). Cultural and creative clusters–a systematic literature review and a renewed research agenda. Urban Research & Practice, 13(3), 300-329.
Maskell, P., & Kebir, L. (2006). What qualifies as a cluster theory? In Clusters and regional development (pp. 48-67). Routledge.
Tichy, G. (2011). Innovation, product life cycle and diffusion: Vernon and beyond. In Handbook of Regional Innovation and Growth. Edward Elgar Publishing.
Gin, L.M. (2009). The paradox of industrialization and regionalization of commercial oil painting in Xiamen. Art Exploration (02), 73-74+151.
Marshall, A. (2009). Principles of economics: unabridged eighth edition. Cosimo, Inc.
Rong S.Y. (2017). A Study of Art Anthropology of Yangjiabu woodcut New Year Pictures in the Social transformation (Doctoral dissertation, China Academy of Art).
Weber, A. (1962). Theory of the Location of Industries. University of Chicago Press.
Dholakia, R. R., Duan, J., & Dholakia, N. (2015). Production and marketing of art in China: Traveling the long, hard road from industrial art to high art. Arts and the Market, 5(1), 25-44.
De Marchi, N., & Goodwin, C. D. (Eds.). (1999). Economic engagements with art (Vol. 31). Duke University Press.
Florida, R. (2003). Cities and the creative class. City & community, 2(1), 3-19.
Li, C. (1985). Progressing through innovation - A record of the development of the Jinan Fine Arts Factory. 03,22-23.
Li, V. (2014). Original imitations for sale: Dafen and artistic commodification. Art History, 37(4), 728-743.
Liu D. D. (2013). "Artwork" or "copying machine"-the value positioning and development prospect of the oil painting industry in Tunchang, Hainan. Art Education (10), 120.
Wang, J. (2019). On Power of Artistic Economy and the Structure of Art Industry with "Production-Distribution-Consumption Expansion" in Guangxi Province. 2019 9th International Conference on Social Science and Education Research (SSER 2019).4.
Cai, C. B. & Cai, X. X. (2011). Research on Promoting Regional Oil Painting Industry: Taking Putian in Fujian as an Example. Journal of Fujian Jiangxia University (03), 29-34.
Cai Y. F. & Tong Xin. (2014). Upgrading cultural industries under global value chains: the case of Dafen Village. Human Geography (03), 115-120.
Li, S. M., Cheng, H. H., & Wang, J. (2014). Making a cultural cluster in China: a study of Dafen Oil Painting Village, Shenzhen. Habitat International, 41, 156-164.
Lu, C., Fan, J. & Li, W. (2011). Existing Problems and Countermeasures in the Commodity Oil Painting Industry in Hebei. 30,231-232.
Florida, R., Mellander, C., & Qian, H. (2012). China's development disconnect. Environment and Planning A, 44(3), 628-648.
Nucciarelli, A., Li, F., Fernandes, K. J., Goumagias, N., Cabras, I., Devlin, S., ... & Cowling, P. (2017). From value chains to technological platforms: The effects of crowdfunding in the digital game industry. Journal of Business Research, 78, 341-352.
Eger, J. M. (2003). The creative community. sdsu.
Shen, Y. (2021). The Production and Design of Chinese Export Arts and Crafts Under the "Triple Agreement". Decoration (05), 12-17.
Li, C. (2016). A History of Early Chinese Oil Painting - The Phenomenon of "Western Painting in the East" in the Pearl River Delta Region during the Ming and Qing Dynasties. Oil Painting Art (01), 67-71.
Pratt, A. C. (2009). Urban regeneration: From the artsfeel good'factor to the cultural economy: A case study of Hoxton, London. Urban studies, 46(5-6), 1041-1061.
Castellote, J., & Okwuosa, T. (2020). Lagos art world: the emergence of an artistic hub on the global art periphery. African Studies Review, 63(1), 170-196.
Tsang, K. K. M., & Siu, K. W. M. (2016). The 3Cs model of sustainable cultural and creative cluster: The case of Hong Kong. City, Culture and Society, 7(4), 209-219.
Wang, J., & Li, S. M. (2017). State territorialization, neoliberal governmentality: the remaking of Dafen oil painting village, Shenzhen, China. Urban Geography, 38(5), 708-728.
Published
2023-01-31
How to Cite
CHEN, Zhao; MOHD ALI1, Noor Azizi; HASNA, Mohd Fabian.
The Future of China's Cultural and Creative Parks: Generating Highly Skilled Talent for the Oil Painting Industry.
Asian Journal of Arts, Culture and Tourism, [S.l.], v. 4, n. 4, p. 62-74, jan. 2023.
ISSN 2710-5830.
Available at: <https://myjms.mohe.gov.my/index.php/ajact/article/view/21276>. Date accessed: 08 june 2023.
Section
Articles
