Visual Analysis of The Research Hotspots, Frontiers and Trends of Chinese Opera From 2011 To 2020
Abstract
Chinese opera is one of the three primary theater cultures globally, and sorting out its research hotspots and development trends has essential reference significance for the subsequent practical exploration and theoretical research of Chinese opera. This paper applies the CiteSpace visualization software to conduct a scientific quantitative analysis of 5315 articles on Chinese opera in the CSSCI database from 2011 to 2020. The study finds that the core authors’ research fields significantly influence the hotspots and trends in Chinese opera research by analyzing the knowledge structure graph. The core institutions are mainly concentrated in universities and art research centers. However, the cooperation between scholars is relatively weak, and the collaboration between institutions also needs to be strengthened. In the past ten years, the hotspots of Chinese opera research can be roughly summarized as the art of opera, traditional opera, opera artist Mei Lanfang, the transmission and protection of opera. While the frontier of Chinese opera research is modern opera, the latest trend is opera in Qing Dynasty, modern opera, and opera education.
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Zou, Y. J. (2018a). On the relationship between Mei Lanfang, Qiao Huilan and Chen Delin in Kunqu Opera, Drama (Journal of the Central Academy of Drama). 04, pp. 21-33
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Chen, C. M. (2006). CiteSpace II: Detecting and Visualizing Emerging Trends and Transient Patterns in Scientifific Literature. Journal of American Society for Information Science and Technology. 57(3), pp. 359-377
Chen, C. M. (2010). Information visualization. Wiley Interdisciplinary Reviews: Computational Statistics, 02, 387-403.
Chen, Y., Chen, C. M., Hu, Z. G. & Wang, X. W. (2014). Principles and Applications of Citation Space Analysis: A Practical Guide to CiteSpace. Beijing: Science Press.
Chen, Z. Y. (2013a). Ceremony and Drama: A Dramatic Anthropological Investigation of Tiangong yuanshuai Belief. Ethnic Art. 06. pp. 99-104
Chen, Z. Y. (2013b). The change of belief in the Tiangong yuanshuai of Nanxi Opera Shentian. Cultural Heritage. 02, pp. 49-57
Chen, Z. Y. (2013c). The source of Chinese theater gods and the group characteristics of their beliefs. Ethnic Art. 04, pp. 121-126
Chen, Z. Y. (2013d). The Generation and Disappearance of the Belief in “Erlang shen” in the Traditional Chinese Opera Industry. National Art. 03. pp. 123-127+137
Chen, Z. Y. (2015). The Rise of “Chu Diao” in the Late Ming and Early Qing Dynasty and the Evolution of Its Voice. Journal of Sun Yat-sen University (Social Science Edition). 55(06). pp. 18-27
Chen, Z. Y. (2016). Research and Explanation of Historical Data on Drama Culture in Hubei in Ming Dynasty. Journal of Hubei University (Philosophy and Social Sciences Edition). 43(01). pp. 74-80
Chen, W. & Wang, Z. (2014). Shanghai Peking Opera and the Transformation of Modern Aesthetics. Jiangxi Social Sciences. 34(12), pp. 83-88
Chinese Opera, China Opera Net. www.xi-qu.com/xqwx/9977.html
Fu, J. (2013). Thoughts on the development of opera music. Chinese Musicology. 02, pp. 69-74
Fu, J. (2018). On the achievements of modern opera in the new century. Southern Literary Circle.06, pp. 5-12+19
Fu, J. (2019). The Myth and Resistance of the Modernization of Traditional Chinese Opera in the 20th Century. Drama Art. 03, pp. 1-17
Herbart (2015). General Education. Li Qilong, translated. Beijing: People’s Education Press.
Rousseau, R., Egghe, L. & Guns, R. (2018). Becoming Metric-Wise: A Bibliometric Guide for Researchers. Chandos Publishing: Oxford, UK.
Sun, Z. H. & Xie, Z. D. (2017). Seeing the cultural consciousness of traditional cultural programs from “Ding ge long dong qiang”. Television Research. 09, pp. 41-43
Wang, K. (2020). Baihua Hanbei Dongfengli——A Research Report on the Development of Chinese Opera in 2019. Hundred Artists. 36(02). pp. 114-123
Wang, K. (2019). Congjin maibu congtouyue——2018 Research Report on the Development of Chinese Opera. National Art Research. 32 (01). pp. 126-137
Wang, K. (2017). “A sunny day urges flowers to be warm and lustful” (Part 2)-Research Report on the Development of Traditional Chinese Opera in 2016. Art Review. 03, pp. 16-25
Wang, R. Y. (2012). Cultural Consciousness-On the Nationality and Modernity of Opera Music. Journal of Xinghai Conservatory of Music. 01, pp. 28-34
Wang, R. Y. (2013). The development way of modern opera music. Art Review. 05, pp. 17-20
Wang, R. Y. (2015). Chinese Peking Opera Music and its modern development. Hundred Artists. 31(04). pp. 34-41+56
Wang, R. Y. (2017). Deep Thoughts on the Destiny of Peking Opera by reading Gong Hede’s “Speaking of Peking Opera”. Hundred Artists. 33(04), pp. 183-188
Wang, R. Y. (2018). Talk about several issues of modern opera music creation. Hundred Artists. 34(03). pp. 106-110+115
Wang, S. M. (2011). The Transmission of Traditional Chinese Opera in Modern Media. Drama (Journal of the Central Academy of Drama). 01, pp. 121-125
Xiao, L. (2011). The Application and Reference of Traditional Opera Singing Techniques in National Vocal Music——Taking the song “Mei Lanfang” as an example. Journal of Chongqing University (Social Science Edition). 02, pp. 142-148
Xiao, Z. K. & Zhang, T. (2019). Analysis of the status quo and trend of Chinese musical theatre research in the past 40 years of reform and opening up. Shanghai Art Academy News. 06, pp. 125-136.
Yang, Y. (2016). A new way of transmission of traditional opera: mobile new media platform. The Art of Chinese Opera. 37(02), pp. 131-133+115
Yu, P. (2011). Discussions on opera music, opera dance, and opera stage aesthetics. Hundreds of Artists. 27(03), pp. 1-9+16
Yu, W. M. (2018). The Transmission and Variation of the Southern Opera “Jing Chai Ji” in Sichuan Opera Gaoqiang. Research on Culture and Art. 11(01). pp. 22-39
Yu, W. M. (2019). The Transmission and Evolution of the Southern Opera “Dongchuan shifan”. Hundred Artists. 35(01). pp. 80-85+91
Yu, W. M. (2020). Research on the Transmission and Evolution of “Qian jing ji” in Nanxi Opera. Traditional Chinese Opera Art. 41(03). pp. 1-7+22
Zhang, D. X. (2012). Some thoughts on the protection of traditional opera cultural heritage and the transmission and development of ethnic culture. Zhongzhou Academic Journal. 01, pp. 196-201
Zhang, Q. (2020). Research on the propagation path, problems and countermeasures of Henan opera under the background of integrated media. News lovers. 11, pp. 38-40
Zou, Y. J. (2018a). On the relationship between Mei Lanfang, Qiao Huilan and Chen Delin in Kunqu Opera, Drama (Journal of the Central Academy of Drama). 04, pp. 21-33
Zou, Y. J. (2018b). The enlightenment of Mei Lanfang’s embodied and non-embodied opera teaching practice. National Art. 05, pp. 145-158
Zou, Y. J. (2018c). Mei Lanfang’s “Other” Means of the Aesthetic Construction of Body Performance. Art Review. 12. pp. 6-7
Zou, Y. J. (2020). The construction of the non-objective aesthetic image of Mei Lanfang’s gestures. The art of opera. 41(04), pp. 13-18
Published
2022-12-01
How to Cite
WU, Heng; LOO, Chiat Fung; CHAN, Jan Cheong.
Visual Analysis of The Research Hotspots, Frontiers and Trends of Chinese Opera From 2011 To 2020.
Asian Journal of Arts, Culture and Tourism, [S.l.], v. 4, n. 4, p. 7-22, dec. 2022.
ISSN 2710-5830.
Available at: <https://myjms.mohe.gov.my/index.php/ajact/article/view/20348>. Date accessed: 08 june 2023.
Section
Articles
